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Various sundries
- Subject: Various sundries
- From: Trent Thornton <blisstrent@xxxxxxxxx>
- Date: Wed, 23 Sep 2009 23:46:10 -0700 (PDT)
01- Well. It's Fall now. That means it's time to start spinning LZIII. That
always seemed like a very Fall album to me. Maybe early winter, but fall. Ya
know? And really, the transition works pretty well with LZIV being such a
winter album.
02- Those of you who actually saw Zep in concert or are otherwise possessed of
a better imagination than I can claim won't likely be surprised by this... but
it's really surprising how much Led Zep moved around onstage when they played
shows. I mean, yeah, it stands to reason that they would. But since my
principal exposure to visuals of them are still photos (and TSRTS, which
doesn't help matters), well, you kinda subconsciously think they must've stood
stock still when they played. Like Oasis. But you watch the DVD or maybe some
clips from, say, '77 on YouTube and you see Jimmy running around the stage like
he's being chased by the devil and you get a finer insight on things. I mean,
it's like you can appreciate an otherwise mediocre performance more when you
see Jimmy hitting 90% of the right notes while also seemingly trying to qualify
for a marathon or something. I dunno. Maybe it's just me and I'm stupid, who
knows?
03- Maybe I'm the one with the problem here but I've never seen the fascination
some people have with audience recordings. I freely admit I could be missing
something here but I never saw the allure of listening to a show that sounds
like it was recorded through a coffee can in a wind tunnel. Not all soundboard
shows are of perfect audio quality, I would never argue otherwise, but the
average soundboard blows the doors off the average audience tape. Little
things like, y'know, actually being able to hear Jones count for a lot in my
book.
04- As I suspect many of you will understand, I'm a huge fan of the Concert
File. It's been a priceless asset in helping me sift through my mini-archive
of FLAC'd Zep shows. Lewis + Pallett could've charged $100 for that MF'er and
it STILL would've been worth every penny.
05a- That being said, it's sadly out of date. I could acknowledge some things
being left out of sheer space/volume issues. I'm totally down with that. But
many quite a few shows have surfaced since Lewis + Pallett put fingers to word
processor. Or maybe complete shows have surfaced which could flesh out some of
their other remarks. I admire the sheer BALLS in putting the book together in
the first place but I can't shake the feeling that it could use an update to
reflect the myriad newer releases, the '98 P/P tour, the absolutely sick JPJ
solo tours and such.
05b- One such new(er) release is the pristine-sounding 01.22.1973 gig. I just
*LOVE* it! Not bashing on L+P but I happen to think that the show is worthy of
more than a one sentence summary about the carpeting of the stage! But then
that's just me.
06- I have a tremendous affection for the '69 through '72 tour shows/period.
Is there an out-and-out bad show anywhere in the bunch? If so, I've never
heard it. That being said though, basically any 1975-era D&C blows the hell
out of any previous version. The San Francisco/Woodstock interludes, the
extended bow and guitar solos, the meandering explorations, etc. I'm always
ready to listen to D&C but if I could have my druthers, it'd typically be a '75
era performance for sheer QUALITY.
07- By way of contrast, NQ never really recovered after 1975. Again, maybe I'm
the one with the problem here but I find it hard to maintain an interest in a
10 minute classical piano solo... as seemed to frequently be the case starting
in '77. Oh sure, the song itself was as strong and tight but loose as ever,
but something seemed to get lost a little bit with NQ starting in 1977. Before
that, NQ could be jazzy or it could be spacey or sometimes just SPOOKY. It was
always interesting. I'm a bit of a '77 tour apologist but even I can't defend
NQ on that tour.
08- It'll be 09.25 before you know it. Cheers, Bonzo. Your work, your legacy
and your music all live on in our hearts. Rest in peace.
09- Did Page seriously empty his archive back in 2003 with the DVD and HTWWW?
I mean, you sit there listening to the Earl's Court shows (pretty much any of
'em) and you can't help drooling at the idea of a Page-approved EC boxed set of
some kind. Preferrably a dual CD and DVD release (although I'll understand if
the latter is a logistical impossibility). Or maybe a '77 comp CD mixing and
matching the best performances from the best concerts (a la Pearl Jam's 'Live
On Two Legs' CD). It just seems like Page would have a whole lot more goodies
in the ol' vault than he's yet released. I mean, seriously, if RAH, MSG '73,
EC and Kneb were all he ever had... yeesh!
10- Number ten's just here to pad things out a little bit.
- t