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BOTM#10 part 1 of many



For my tenth BOTM I decided to do a special show. One that I remember that I held dear from the first time I ever had the tape, yes I said tape, in my hand. One that I remember made my jaw drop as I heard it's stunning quality teh first time. One that years later made my jaw drop again and ushered in a whole new era of boot collecting for me and I'm sure alot of you as well. One that set the bar for things to come.
What I'm talking about is

 February 12, 1975

Madison Square Garden New York, New York USA
http://www.oldbuckeye.com/Houses_of_the_Holy/imagepages/image134.html

One of the Holiest of the Houses - my biased opinion of course. But hard to deny considering some of the awesome shows put on there by Led Zeppelin.

The boot in Particular that I am talking about today is the 2002 release of Flying Circus.
http://zeppelinart.com/browse.asp?dir=1975%2F1975%2D02%2D12+new+york%2Fflying+circus+%28empress+valley%29


There have been a bunch of releases that follow each trying to trump the other, mastering remastering, re-re-remastering...but if this is the bottom of that barrel, so be it. I love it.

Audience noise...anticipation...group noise...a chord from Jimmy, couple drum hits from Bonzo....c'mon allready!!!!!

Rock ' ROLL!!!! And it hits you ...that full stunning soundboard quality that makes your hair stand on end! Everything is nicely balanced. The cymbals are a little high, but that's what an eq is for!!! Plant's voice is rough, it's '75 there's no going back to pre influenza days!!! And Same goes for Page's solo...it ain't 71 anymore!! But even with it's sticky fingers it's overlooked as you're still picking your jaw up off the floor from the awesome sound of this one! A final drum roll from Bonzo finishes this one off and they immediately go into Sick Again. ( No Rover Oner! ) Bonzo is a speed demon just prior to Jimmy's solo. After a full year's absence from the stage, Bonzo is making his Presence known! Jimmy's solo dosen't come off too well, sounds kinda hollow/dry. And of course sticky. ; ) Definately one where the audience hears it better than us. One thing I love about this number live is that you really get to hear the big contribution JPJ's bass makes to the whole song. Can't tell as much on the studio cut, but here you can really hear Jonesy ripping it up with just a monster line throughout. The second solo comes off much better as Jimmy's loosening up and they begin to gel. Plant's voice cracks like a whip as it ends and then he belts out a mighty "NEW YORK!!!!! Good Evening...I said good Evening....that's better. We came four blocks in the snow to get here you realise that? Well let me tell you something...people...people were calling me on the telephone today saying Is it gonna be on ??Is it gonna be on ??? For a minute I wondered about my anatomy, but I realised it was a discrepency about the weather." Plant is obviously in a good chatty mood and has his witt about him. I'd transcribe the rest, but Instead I'll tell you about " something that goes like this..."

And Jimmy starts into Over the Hills and Far Away. Nice tone with just a hint of amp distortion. Plant sing it nice and Wam Bam Many times... tight. And as you listen you hear in that tightness a looseness to Jimmy's playing. Sticking to the pieces but everyonce in awhile a little extra something... Acapulco Gold !!!! And Then it's solo time, which Jimmy starts with what almost can be described as a howl from his guitar. The Rhythm machine is just awesome as Jimmy takes us through a trip spiced with Morrocan accents and heavy riffs playing games with Bonzo's drumming patterns. Jonesy takes a bit of a detour hitting his own dissonant notes. Then they all come together into that "power riff" before the ascending end to the solo. awesome. As Plant ends the song with some Ooooh yeahs, his voice is a bit strained it sounds. Maybe that walk in the snow wasn't a good idea?

"Thank you...This is what we would consider to be the last of the New York concerts...we got the Nassau county ones but we've always really dug playing at the Garden, so tonight we're gonna have a really ecstatic one. Right ? This is co-dependant on two things. Us and you. I'm in the mood to do alot of talking" NO KIDDING!!!!!

 Introduces Physical Graffitti and new tracks...  "And this is one of them"

And Jimmy introduces us to his slide via a slow draw down the strings and here it comes.... tight but loose at it's finest.IMTOD has got to be one of the most intense pieces of rock slide guitar ever written. American Delta Blues on a ‘roid rage. It’s a phenomenal piece. I’ll never forget the moment May 27,2003 when sitting in a theater full after watching an oddly enough May 1975 version of this being aired, when at the end this booming voice rang out HOLY SHIT!!!!! I can imagine that being the reaction from a ton of people mass wise at the Garden as Jimmy hits those first crunching chords in synch with JPJ and Bonzo. Holy shit. Now add to that Roberts mournful pitiful lyrics of a man's dying wishes. A classic. It's just such a great piece I'm not gonna ruin it with my words. All I'll say is Robert's crackling voice suits it perfectly.

" Pardon ? ? Thank you very much...Ironically that was what one call an old folk standard. They become folk songs when nobody writes the music to them anymore and they're passed down by memory can you ever imagine WLL wound up like that? "