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BOTM# 6 conclusion




It's not exactly easy to dissect a 24 minute drum solo so I really won't. well, not completely... It starts off with the studio version intro of Moby Dick and Pgae Jones and Bonzo rip thru it with ease. The first 5-6 minutes are essentially him playing the exact same thing with the high hats/ tambourine combo either going ...or not....essentially a snare roll with a bass drum kick inserted ad hock. It's not until 11 minutes into it that it gets picked up a bit, a gong hit, or bong for bored audience members Or if I was listening to this 2 decades ago ; ) It would make the next 6 minutes of flanged tympanies sound cooler, but listening to it now, what can I say, it pretty cool at times, but thats about it. A good amount of it sounds like me smacking the side of my old Univox PA head with the reverb set on 11 on all channels. Ok at 20:06 there's one cool tympany roll that sounds like a WW1 biplane coming in for a strike before Bonzo picks up the sticks again and at 22 minutes into it the band comes back for the grande finale. IMO, not an interesting MD at all. There are some that are actually quiet enjoyable.
 I think the audience agrees as the applause or lack of it shows.

I wonder what Plant means when he says " I just had a wonderful experience during the drum solo" Hmm it was after introducing 'Panama' Peter Grant and you know what Plant once thanked him for !!! ; )

Moving on

 " As soon as we rolled our first joint, this was it......"

Dazed & Confused....ay karamba indexed here as 39:56!!! My it's grown. like a weed. Plant's voice, considering he just had a 25 minute rest is sounding rather peaked. I love how he turned mesmerized into just mamamamamamamamammammmmmm mm mm m m mmm Pretty cool how the echoe effect is cut in and out on his vocal to neato effect. Luis Rey actually does a pretty good dissection in his LZ Live book of the various parts of this song that evolved. As I'm expecting the "achilles riff" and San Fran to get going, instead Jimmy seems to be noodling about with a bit of a flamenco number. It seems almost as if he can't figure out how to get out of it. So just ends it and starts the familiar precursor to ...wait.... It's not If your going...Plant's singing Spanish Harlem instead!!! Well, that took me by surprise!! And then throws out We are stardust and we're in Woodstock!! As Plant gets us back to the Garden some cool interplay between JP and Bonzo.... Plant takes us on a strange journey through an echo chamber as it seems to take forever to get to the bow solo. A bow solo is a bow solo is a bow solo but a very strange beginning to the fast section after Mars. Very strange solo arangment from Jimmy as well. Seems almost as if he's not sure where to go with it . The familiar pieces are all there, but just not quite strung together "right" . Hmmf, as if there's a right way to do it eh ? At the 25:10 mark it just stops and Page launches into what's one of my favorites sections of the later years dazed. But this particular night it just isn't right again and it just stops again and Page and Plant begin the guitar vs ahhhhh war. The faster parts come and go with some brilliant work intersperced with litterally what sounds like like Page doing parts backwards. The sound fluctuating as if it's going thru multpiple source changes don't help matters much!! Was the PA system doing strange strange things or a switch going bad in Jimmy's LP ? You gotta check out what Plant's doing at the 35 minute mark...I can't explain it but with what does sound like something flaky in the PA it's just creepy. The whole ending of the song is a bizarre affair, almost sounding like a sci fi movie. A very strange and dazed and confused number indeed tonite!!!
That must have been some joint!

 "Jimmy Page MASTER Guitarist."  I like that.

" Dedicated to the sweeter and more gentler moments in life that can occasionaly be experienced in this year of 1975...this is for you" And the audience whoopeee for it's STAIRWAY!!

The mellotron sounds amazingly nice in the beginning actually cooperating with JPJ! But you can hear it start getting quirky within the first verses. Either way, Jonesy's adding some extras with it with some very nice improvisations before switching over to the plain keys on which he also continues to add more than usual. Daes anyone remember laughter doesn't get much reaction so Plant bellows out "Keep Smiling BAbY!!!!! yes yes....!! Don'tcha listen to me nowww".... You wouldn't think an LA crowd would need motivation!! Bonzo joins the fold and the momentum starts building and dammit, if it's not the PA doing strange things its an original tape flaw or I got a strange burn. I'd appreciate some feedback from someone with this set. I've had it for ages, gathering dust for the longest time till today. And it's a shame because this Stairway is just fabulous in the solo... A brilliant performance by Page and it even has Plant shouting out Join...Join!!! You gotta get a listen to Jonesy's keys too right as the solo comes to an end...they seem to be glistening!!! Plant gives it his all!!! Only one more show in the US damm the torpedoes!!
A really great Stairway...

 Whew....it's not over yet...